"Funeral Sentences For Queen Mary: Thou Knowest, Lord" by Timothy Brown, Keri Dexter, Choir of Clare College, Cambridge, Micheal Laird, Tim Handley, Nicholas Parker, Liz Kenny, Jonathan Brown, Henry Purcell, William Carter, Andrew Manze, Robert Howes, Jenny Ward-Clarke, Marshall Marcus, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Ron Bryans, Baroque Brass Of London, Mark Bennet, Jan Schlapp was released on December 20, 2006. The duration of Funeral Sentences For Queen Mary: Thou Knowest, Lord is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Thou Knowest, Lord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #12. Funeral Sentences For Queen Mary: Thou Knowest, Lord is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral Sentences For Queen Mary: Thou Knowest, Lord by Timothy Brown, Keri Dexter, Choir of Clare College, Cambridge, Micheal Laird, Tim Handley, Nicholas Parker, Liz Kenny, Jonathan Brown, Henry Purcell, William Carter, Andrew Manze, Robert Howes, Jenny Ward-Clarke, Marshall Marcus, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Ron Bryans, Baroque Brass Of London, Mark Bennet, Jan Schlapp having a テンポ of 49 with a half-time of 24 テンポ and a double-time of 98 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Singet dem Herrn ein neues Lied | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | G Major | 1 | 9B | 95 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Call to Rememberance | Richard Farrant, Choir of Clare College, Cambridge, Timothy Brown | F♯ Minor | 2 | 11A | 140 BPM | ||
Give Alms of Thy Goods | Christopher Tye, Cambridge University Chamber Choir, Timothy Brown | C Major | 1 | 8B | 86 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | ||
El grillo | Josquin des Prez, Capilla Flamenca | C Major | 2 | 8B | 108 BPM | ||
Canzonette d'amore | Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo | B Minor | 0 | 10A | 100 BPM |