Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel's '"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette' came out on January 1, 2003. The duration of "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette is about 3 minutes long, at 3:19. Based on our data, ""Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 26 out of 26 in Charpentier: Musique sacrée by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Te Deum H146 - Te Aeternum Pater, Omnis Terra Veneratur | Marc-Antoine Charpentier, Marzoratti Arnaud, Gester Martin, Le Parlement De Musique, Maîtrise de Bretagne, Salomé Haller, Brigitte Chevigné, François-n Geslot, Stephan Van Dyck | B♭ Major | 2 | 6B | 89 BPM | ||
David et Jonathas, H. 490, Acte I Scène 4: Après les fureurs de l'orage (captifs, chœur) | Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
L'Orfeo, Prologo: Ritornello - Dal mio permesso amato | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Le Concert Des Nations | D Minor | 1 | 7A | 89 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM |