"Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7)" by Budapest Strings was released on November 30, 2015. The duration of Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) is about 3 minutes long, at 3:22. Based on our data, "Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Classical Collections - Evening Glow". In this album, this song's track order is #1. In terms of popularity, Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) by Budapest Strings having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 In C Major, G. 477: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 157 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Harp Concerto: II. Adagio | Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 107 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto pour hautbois: Larghetto | Domenico Cimarosa, A. Benjamin, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | C Minor | 1 | 5A | 67 BPM |