"For Bunita Marcus (1985): page 1" by Morton Feldman, Marc-André Hamelin was released on July 28, 2017. With For Bunita Marcus (1985): page 1 being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Morton Feldman, Marc-André Hamelin's "Morton Feldman: For Bunita Marcus" album is number 1 out of 36. On top of that, United Kingdom appears to be the country where this track was created. For Bunita Marcus (1985): page 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of For Bunita Marcus (1985): page 1 by Morton Feldman, Marc-André Hamelin to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Gaspard de la nuit, M. 55: III. Scarbo | Maurice Ravel, Bertrand Chamayou | A♭ Minor | 1 | 1A | 83 BPM | ||
Larghetto | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 114 BPM | ||
British Folk-Music Settings: No. 19, Molly on the Shore | Percy Grainger, Marc-André Hamelin | G Major | 0 | 9B | 132 BPM | ||
L'Herrmann, H. 92 | Carl Philipp Emanuel Bach, Marc-André Hamelin | G Minor | 0 | 6A | 95 BPM | ||
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 11, Quasi adagio | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Goldberg Variations, BWV 988: Var. 25 | Johann Sebastian Bach, Víkingur Ólafsson | G Minor | 0 | 6A | 81 BPM | ||
Turangalîla-Symphony: II. Chant d'amour. 1 Modéré, lourd | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
The Morrow - 1997 | Michael Nyman, Floraleda Sacchi | D Minor | 0 | 7A | 97 BPM | ||
Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 87 BPM | ||
Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM |