On November 8, 2010, the song "Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro)" was released by Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern. With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 66 in the song's album "Pas de Deux". In this album, this song's track order is #2. In terms of popularity, Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) by Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 58 BPM | ||
Leichtes Blut, polka schnell, Op.319 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 86 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Aïda: Triumphal March & Ballet | London Symphony Orchestra, Roderick Dunk (Conductor) | G Minor | 2 | 6A | 111 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: I. Introduction | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM |