"Billy the Kid Suite: I. Introduction. The Open Prairie" by Aaron Copland, Leonard Bernstein, New York Philharmonic was released on 1960. The duration of Billy the Kid Suite: I. Introduction. The Open Prairie is about 3 minutes long, at 3:13. Based on our data, "Billy the Kid Suite: I. Introduction. The Open Prairie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Billy the Kid Suite: I. Introduction. The Open Prairie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Billy the Kid Suite: I. Introduction. The Open Prairie by Aaron Copland, Leonard Bernstein, New York Philharmonic is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": IIa. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 174 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 90 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Moderato - Allegro ma non troppo - Moderato | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Charterhouse Suite: Quick Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E Minor | 1 | 9A | 120 BPM | ||
Billy the Kid: VI. Celebration. After Billy's Capture - Orchestral Suite Excerpts | Aaron Copland, London Symphony Orchestra | C Major | 4 | 8B | 180 BPM |