"10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 6" by Ahmet Adnan Saygun, Zeynep Ucbasaran had its release date on April 29, 2008. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "Saygun: 12 Preludes On Aksak Rhythms / 10 Sketches On Aksak Rhythms / Piano Sonatina". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Hong Kong. 10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 6 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 6 by Ahmet Adnan Saygun, Zeynep Ucbasaran having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
A Farewell to Saint Petersburg: 10. The Lark | Mikhail Glinka, Harriet Krijgh, Magda Amara | E Minor | 1 | 9A | 102 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Van Den Budenmayer (Funeral Music) - Winds | Zbigniew Preisner | G Minor | 0 | 6A | 72 BPM | ||
Seven Songs for Piano | Komitas | C Major | 2 | 8B | 107 BPM | ||
Snowy Beech Forest - Cello, Piano, and String Quartet | Zülfü Livaneli, Jamal Aliyev, Ece Dağıstan | B Minor | 2 | 10A | 168 BPM | ||
Tartiniana seconda: I. Pastorale | Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda | A Minor | 0 | 8A | 173 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Nocturne in F Minor, Op. 55 No. 1 (Arr. for Cello and Piano) | Axel Salmona, Maxime Leschiera | F Minor | 0 | 4A | 123 BPM |