"Tartiniana seconda: I. Pastorale" by Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda was released on 2005. The duration of Tartiniana seconda: I. Pastorale is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Tartiniana seconda: I. Pastorale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 27 in Dallapiccola: Sonatina Canonica - Tartiniana Seconda by Luigi Dallapiccola, Duccio Ceccanti. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Tartiniana seconda: I. Pastorale is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tartiniana seconda: I. Pastorale by Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
8 Variations on "Ein Weib ist das herrlichste Ding", K. 613: Var. 5 | Wolfgang Amadeus Mozart, Roberto Prosseda | F Major | 1 | 7B | 130 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Souvenance (Nocturne) in E flat Major CG 590 WP | Charles Gounod, Roberto Prosseda | B♭ Major | 0 | 6B | 75 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Concerto In G Minor R439 op.10 No.2 "La Notte": 1. Largo - Fantasmi. Presto | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 110 BPM | ||
Lieder ohne Worte, Op. 38: No. 2 in C Minor. Allegro non troppo "Lost Happiness", MWV U 115 | Felix Mendelssohn, Roberto Prosseda | E♭ Major | 1 | 5B | 127 BPM | ||
Simbolo (Symbol) - Quasi lento [ziemlich langsam] | Luigi Dallapiccola, Claudia Janet Birkholz | D Major | 0 | 10B | 64 BPM |