"La damnation de Faust, Op. 24, H. 111 / Pt. III: Scène 11. Evocation. "Esprits des flammes inconstantes"" by Hector Berlioz, Michel Roux, Orchestre Lamoureux, Igor Markevitch was released on 1960. With La damnation de Faust, Op. 24, H. 111 / Pt. III: Scène 11. Evocation. "Esprits des flammes inconstantes" being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 30 in Berlioz: La Damnation de Faust (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 10) by Hector Berlioz, Richard Verreau, Consuelo Rubio, Michel Roux, Pierre Mollet, Orchestre des Concerts Lamoureux, Igor Markevitch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La damnation de Faust, Op. 24, H. 111 / Pt. III: Scène 11. Evocation. "Esprits des flammes inconstantes" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La damnation de Faust, Op. 24, H. 111 / Pt. III: Scène 11. Evocation. "Esprits des flammes inconstantes" by Hector Berlioz, Michel Roux, Orchestre Lamoureux, Igor Markevitch is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve" | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Tiffin Children's Chorus, Tiffin Boys' Choir, Tiffin Girls' Choir, Sir Simon Rattle | D♭ Major | 0 | 3B | 119 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon | Hector Berlioz, Michel Philippe, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 1 | 3B | 65 BPM |