"La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon" by Hector Berlioz, Michel Philippe, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit was released on September 22, 1996. The duration of La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 35 in Berlioz: La Damnation de Faust by Hector Berlioz, Charles Dutoit, Françoise Pollet, Richard Leech, Gilles Cachemaille, Michel Philippe, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24 / Part 2: Choeur de buveurs: Oh! qu'il fait bon by Hector Berlioz, Michel Philippe, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: Introduction | Richard Strauss, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 94 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | B Major | 1 | 1B | 64 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM |