"All-Night Vigil, Op. 37: II. Praise the Lord, O my soul" by Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava was released on March 1, 2015. All-Night Vigil, Op. 37: II. Praise the Lord, O my soul is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rachmaninoff: All-Night Vigil". In this album, this song's track order is #2. All-Night Vigil, Op. 37: II. Praise the Lord, O my soul is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: II. Praise the Lord, O my soul by Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Quartets, Op.92: I. Oh Beautiful Night | Johannes Brahms, Kansas City Chorale, Charles Bruffy | D Major | 2 | 10B | 87 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
All-Night Vigil, Op. 37: VII. The Six Psalms. "Glory to God in the Highest" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 10 | 9A | 91 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
Drei gestliche Gesange, Op. 69: I. Morgenlied. Die Sterne sind erblichen | Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale | F Major | 0 | 7B | 79 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 44 Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | D Major | 0 | 10B | 139 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM |