"L'Egisto, Act III Scene 1: È grato il penare (Lidio, Climene)" by Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Ambroisine Bré had its release date on 2021. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 46 in Cavalli: L'Egisto by Francesco Cavalli, Le Poème Harmonique, Sophie Junker, Zachary Wilder, Ambroisine Bré, Vincent Dumestre, Marc Mauillon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, L'Egisto, Act III Scene 1: È grato il penare (Lidio, Climene) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'Egisto, Act III Scene 1: È grato il penare (Lidio, Climene) by Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Ambroisine Bré is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Concerto for violin, strings and continuo in B flat, RV 370: Allegro | La Serenissima, Mhairi Lawson | F Major | 1 | 7B | 113 BPM | ||
An Wasserflüssen Babylon, BWV 653b | Johann Sebastian Bach, Phantasm | A♭ Minor | 0 | 1A | 132 BPM | ||
Pallavicino: L'Antiope: "Sdegni, furori barbari" (Celinda) | Carlo Pallavicino, Lea Desandre, Jupiter, Thomas Dunford | D♭ Major | 3 | 3B | 133 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM |