"Sylvia: Act II: Chant bacchique" by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia was released on January 17, 1996. The duration of Sylvia: Act II: Chant bacchique is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sylvia: Act II: Chant bacchique's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. Sylvia: Act II: Chant bacchique is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sylvia: Act II: Chant bacchique by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Lento (slowly), since this song has a tempo of 59 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act II: The Puppet-Show (Minkus) | Mariinsky Orchestra | A Minor | 0 | 8A | 94 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 8. Sousedská. Grazioso e lento, ma non troppo, quasi tempo di valse | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 136 BPM |