Vienna Volksoper Orchestra, Max Schönherr's 'Wiener Blut, Op. 354 (Sangre Vienesa)' came out on February 18, 1966. The duration of Wiener Blut, Op. 354 (Sangre Vienesa) is about 3 minutes long, at 3:09. Based on our data, "Wiener Blut, Op. 354 (Sangre Vienesa)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Strauss II, Waldteufel: Valses". In this album, this song's track order is #2. In terms of popularity, Wiener Blut, Op. 354 (Sangre Vienesa) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Wiener Blut, Op. 354 (Sangre Vienesa) by Vienna Volksoper Orchestra, Max Schönherr having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Typewriter | Leroy Anderson, Werner Brock, Cologne West German Radio Orchestra, Pinchas Steinberg | D Major | 1 | 10B | 117 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Concerto d'amore | Jacob de Haan, Banda musicale Città di Orzinuovi, Giancarlo Locatelli | B♭ Major | 3 | 6B | 94 BPM | ||
Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | ||
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Parla! | Luigi Arditi, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl | D Major | 2 | 10B | 87 BPM | ||
Thème Principal - From Sissi (1955) | Anton Profes | G Minor | 1 | 6A | 145 BPM | ||
Il silencio - Re-Recording | Peter Beil | B♭ Major | 5 | 6B | 73 BPM |