"Regina Cæli: Maria Hymne Fra Påske Til Treenighet" by Public Domaine, St. Hallvard-Guttene, Øistein Vogt was released on June 17, 1999. With Regina Cæli: Maria Hymne Fra Påske Til Treenighet being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 11 in Canto Gregoriano Kyrie Eléison by Public Domaine, St. Hallvard-Guttene, Øistein Vogt. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Regina Cæli: Maria Hymne Fra Påske Til Treenighet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Regina Cæli: Maria Hymne Fra Påske Til Treenighet by Public Domaine, St. Hallvard-Guttene, Øistein Vogt is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nolite Timere | Benedictine Monks of St. Wandrillede Fontonelle | D Major | 0 | 10B | 179 BPM | ||
Parce Dómine: Antifon I Advent/ Fastetiden | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | F♯ Minor | 0 | 11A | 73 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Versets et Oraison d'action de grâce | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 0 | 10B | 86 BPM | ||
Messe de la Fête-Dieu: Séquence: Lauda Sion | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Jean Claire | E♭ Major | 0 | 5B | 78 BPM | ||
Hosanna Filio David: Antiphon for Palm Sunday | Gregorian Chant Schola of Saint Meinrad Archabbey | D♭ Major | 0 | 3B | 123 BPM | ||
Cummune Unius Martyr | Pro Cantione Antiqua, Mark Brown | E♭ Major | 1 | 5B | 72 BPM | ||
Dans la joie de Pâques : Antienne Vidi Aquam | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | F♯ Major | 1 | 2B | 132 BPM | ||
Cantus Missarum: Psalmellus: Pacifice loquebantur | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 174 BPM | ||
Skaramissalet: Introitus. Spiritus domini | Ars Veritas | B♭ Major | 2 | 6B | 132 BPM |