Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl made "キーboard Concertino in C Major, Hob.XIV:11: II. Un poco adagio" available on March 25, 2008. Since キーboard Concertino in C Major, Hob.XIV:11: II. Un poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Sebastian Knauer, Helmut Muller-Bruhl's "Haydn: Piano Concertos, Hob.Xviii:3,4,9,11" album is number 5 out of 12. On top of that, Hong Kong appears to be the country where this track was created. The popularity of キーboard Concertino in C Major, Hob.XIV:11: II. Un poco adagio is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of キーboard Concertino in C Major, Hob.XIV:11: II. Un poco adagio by Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Bassoon Concerto in F Major, RV 485: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 1 | 7B | 97 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM |