Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel

Paul Hindemith, Omega Ensemble
Master Series – Hindemith: Kleine Kammermusik, Op. 24 No. 2
3:10 2020年6月12日
テンポ
106
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel - Paul Hindemith, Omega Ensemble 情報

音響性
98%
ダンサビリティ
35%
エネルギー
12%
手段性
93%
活気
15%
ラウドネス
57%
話し言葉
4%
価数
6%
人気
ラウドネス
-25.833 dB

まとめ

"Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel" by Paul Hindemith, Omega Ensemble was released on June 12, 2020. The duration of Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel is about 3 minutes long, at 3:10. Based on our data, "Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hindemith, Omega Ensemble's "Master Series – Hindemith: Kleine Kammermusik, Op. 24 No. 2" album is number 1 out of 5. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel テンポ

We consider the tempo marking of Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel by Paul Hindemith, Omega Ensemble to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel キー

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: III. Allegro by Johannes Brahms, Martin Fröst, Roland PöntinenClarinet Sonata in E-Flat Major, Op. 120, No. 2: III. AllegroJohannes Brahms, Martin Fröst, Roland PöntinenE♭ Major15B105 BPM
Ibert: Flute Concerto: III. Allegro scherzando by Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester ZürichIbert: Flute Concerto: III. Allegro scherzandoJacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester ZürichD♭ Major13B92 BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante by Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles DutoitConcerto for Organ, Strings and Percussion in G minor, FP 93: AndanteFrancis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles DutoitA♭ Major14B107 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: I. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisB♭ Major26B73 BPM
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Symphonie Symphonie "Mathis der Maler": I. EngelkonzertPaul Hindemith, Berliner Philharmoniker, Claudio AbbadoD Major110B106 BPM
Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: II. Sehr langsam und ganz ruhig by Paul Hindemith, Claudio Abbado, Berliner PhilharmonikerHindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: II. Sehr langsam und ganz ruhigPaul Hindemith, Claudio Abbado, Berliner PhilharmonikerG Minor36A85 BPM
Le tombeau de Couperin, M. 68: II. Forlane by Maurice Ravel, Cleveland Orchestra, Pierre BoulezLe tombeau de Couperin, M. 68: II. ForlaneMaurice Ravel, Cleveland Orchestra, Pierre BoulezE♭ Major05B78 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
ISRC
AUAB02050218
レコードレーベル
L-M Records/RCA Records