"Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel" by Paul Hindemith, Omega Ensemble was released on June 12, 2020. The duration of Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel is about 3 minutes long, at 3:10. Based on our data, "Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hindemith, Omega Ensemble's "Master Series – Hindemith: Kleine Kammermusik, Op. 24 No. 2" album is number 1 out of 5. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel by Paul Hindemith, Omega Ensemble to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: III. Allegro | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 1 | 5B | 105 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: II. Sehr langsam und ganz ruhig | Paul Hindemith, Claudio Abbado, Berliner Philharmoniker | G Minor | 3 | 6A | 85 BPM | ||
Le tombeau de Couperin, M. 68: II. Forlane | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 78 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM |