Erich Kunz's 'Mei Mutterl war a Weanarin' came out on March 23, 2010. With this song being about 5 minutes long, at 5:22, "Mei Mutterl war a Weanarin" by Erich Kunz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 20 in Die schönsten Wiener Lieder by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mei Mutterl war a Weanarin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mei Mutterl war a Weanarin by Erich Kunz is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Merry Widow: Act III, "Ja, wir sind es, die Grisetten" | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | D Major | 4 | 10B | 106 BPM | ||
Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Viktoria und ihr Husar: Ja, so ein Mädel | Paul Abraham, Rita Bartos, Willy Hofmann, John Hoffmann'S, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 6 | 6B | 126 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM | ||
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
I riach an Wein | Erich Kunz | G Major | 3 | 9B | 79 BPM | ||
Auf der Jagd (Polka) (Liveaufnahme) | Johann Strauss Orchester | A Major | 7 | 11B | 168 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": II. Chor: Alles, was Odem hat, lobe den Herrn / Sopran solo: Lobe den Herrn, meine Seele | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath, Chen Reiss | E Major | 1 | 12B | 72 BPM | ||
Marcha Comunista Do Poker Carioca | Duarte WILL | A Minor | 5 | 8A | 129 BPM |