Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Noemi Rime, Guillemette Laurens, Véronique Gens's 'Armide: Act III, Scene 2: Armide : "Hélas ! C'est mon cœur que je crains"' came out on 1993. Since Armide: Act III, Scene 2: Armide : "Hélas ! C'est mon cœur que je crains" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 2 out of 39. In terms of popularity, Armide: Act III, Scene 2: Armide : "Hélas ! C'est mon cœur que je crains" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act III, Scene 2: Armide : "Hélas ! C'est mon cœur que je crains" by Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Noemi Rime, Guillemette Laurens, Véronique Gens to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Lully: Armide, LWV 71, Act 3: "Que ne peut point votre art ?" (Armide, Phénice, Sidonie) | Jean-Baptiste Lully, Philippe Herreweghe, Danièle Borst, Rachel Yakar, Suzanne Gari, Ensemble instrumental de la Chapelle royale | F♯ Major | 1 | 2B | 106 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Acis et Galatée, LWV 73, Prologue: Prélude - Apollon en ce jour approuve votre zèle - Live | Jean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Sebastian Monti, Coro del Maggio Musicale Fiorentino | F♯ Minor | 1 | 11A | 113 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |