"Des canyons aux étoiles: XII. Zion Park et la Cité Céleste" by Olivier Messiaen, Christoph Eschenbach, Tzimon Barto, London Philharmonic Orchestra, Erika Öhman, andrew barclay, John Ryan was released on March 1, 2015. Des canyons aux étoiles: XII. Zion Park et la Cité Céleste appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, London Philharmonic Orchestra, Christoph Eschenbach, Tzimon Barto, andrew barclay, Erika Öhman, John Ryan's "Messiaen: Des Canyons aux étoiles" album is number 5 out of 12. Des canyons aux étoiles: XII. Zion Park et la Cité Céleste is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Des canyons aux étoiles: XII. Zion Park et la Cité Céleste by Olivier Messiaen, Christoph Eschenbach, Tzimon Barto, London Philharmonic Orchestra, Erika Öhman, andrew barclay, John Ryan to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM | ||
Thème et variations: VI. Cinquième Variation | Olivier Messiaen, Benjamin Frith, Lucy Gould | D♭ Major | 0 | 3B | 82 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Aus tiefer Not schrei ich zu dir, BWV 687 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 171 BPM | ||
Flute Sonata, Op. 164: Cantilena: Assez lent | Francis Poulenc, Philippe Bernold, Alexandre Tharaud | D Minor | 3 | 7A | 94 BPM | ||
Pie Jesu | Lili Boulanger, Olivier Charlier, Magali Demesse, Aude Perin Dureau, Eric Lebrun, Emile Naoumoff, Francis Pierre, Doris Reinhardt, Isabelle Sabrie, Raphelle Semezis | C Major | 2 | 8B | 82 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM |