"Feritevi, ferite" by Heinrich Schütz, Calmus Ensemble was released on August 1, 2012. The duration of Feritevi, ferite is about 3 minutes long, at 3:16. Based on our data, "Feritevi, ferite" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Touched". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Feritevi, ferite is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feritevi, ferite by Heinrich Schütz, Calmus Ensemble having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Lamentations Of Jeremiah | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Adoramus a sei voci | Claudio Monteverdi, Ensemble Vocal Européen de La Chapelle Royale, Philippe Herreweghe | E Major | 2 | 12B | 66 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM | ||
Offertorium: II. Hostias et preces | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 139 BPM | ||
Quel Augellin Che Canta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 77 BPM | ||
Misa a Buenos Aires "Misatango": Agnus Dei | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Major | 1 | 8B | 82 BPM | ||
Es gingen zweene Menschen, SWV 444 | Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |