"Strauss, R: Intermezzo, Op. 72, Act I, Scene 1: "Anna, Anna! Wo bleibt denn nur die dumme Gans?" (Christine, Robert, Anna)" by Richard Strauss, Lucia Popp, Dietrich Fischer-Dieskau, Gabriele Fuchs, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra was released on 1988. Strauss, R: Intermezzo, Op. 72, Act I, Scene 1: "Anna, Anna! Wo bleibt denn nur die dumme Gans?" (Christine, Robert, Anna) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 29 in the song's album "Strauss, R.: Intermezzo op.72". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Strauss, R: Intermezzo, Op. 72, Act I, Scene 1: "Anna, Anna! Wo bleibt denn nur die dumme Gans?" (Christine, Robert, Anna)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Intermezzo, Op. 72, Act I, Scene 1: "Anna, Anna! Wo bleibt denn nur die dumme Gans?" (Christine, Robert, Anna) by Richard Strauss, Lucia Popp, Dietrich Fischer-Dieskau, Gabriele Fuchs, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Elektra, Op. 58, TrV 223: "Du! Du! Denn du bist stark! Wie stark du bist" | Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Ein Heldenleben, Op. 40: Der Held - Live | Richard Strauss, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 1 | 4B | 91 BPM | ||
3 Hymnen von Friedrich Holderlin, Op. 71, TrV 240: No. 1. Hymne an die Liebe | Richard Strauss, Soile Isokoski, Helsinki Philharmonic Orchestra, Okko Kamu | D Minor | 1 | 7A | 144 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM |