Fernando Sor, Andrés Segovia made "Introduction and Variations on a theme by Mozart, Op. 9" available on January 6, 2015. Since Introduction and Variations on a theme by Mozart, Op. 9 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "The Very Best of Andrés Segovia". In this album, this song's track order is #14. Introduction and Variations on a theme by Mozart, Op. 9 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Introduction and Variations on a theme by Mozart, Op. 9 by Fernando Sor, Andrés Segovia having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Heavenly Bird (Arr. for Guitar) | Xuefei Yang | E Minor | 0 | 9A | 90 BPM | ||
Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
Sonata in D Minor, Kk. 32 (Aria) | Domenico Scarlatti, Luigi Attademo | F Minor | 1 | 4A | 98 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Suite espagnole, Op. 47: VI. Aragón | Isaac Albéniz, Thibault Cauvin | F Major | 2 | 7B | 169 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Valzer No. 3 in A Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | G Minor | 1 | 6A | 105 BPM | ||
Tres Fados Ilusorios: Fado Do Chiado | Xavier Montsalvatge, Sergio Santes | G Major | 1 | 9B | 114 BPM |