"Sis Glosses sobre textos de Cees Nooteboom: Con moto (L’arribada)" by Benet Casablancas, Cees Nooteboom, Julia Tai was released on June 1, 2018. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 19 in Benet Casablancas, retrat d'artista by Benet Casablancas. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Sis Glosses sobre textos de Cees Nooteboom: Con moto (L’arribada) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sis Glosses sobre textos de Cees Nooteboom: Con moto (L’arribada) by Benet Casablancas, Cees Nooteboom, Julia Tai is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cura Emocional | Sinta Positivo | B♭ Major | 0 | 6B | 73 BPM | ||
Jackson Pollock (1950-51) for two Cellos: IV Detail of Paintings | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
Petrushka, K12 (1947 Version): II. Petrushka's Room | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
Apartment House 1776: Harmony No. 2, Mansfield | John Cage, Arditti Quartet | F Major | 0 | 7B | 173 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM |