Franz Schubert, Josephine Knight, Simon Crawford-Phillips's 'Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones)' came out on May 17, 2024. With this song being about 5 minutes long, at 4:39, "Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones)" by Franz Schubert, Josephine Knight, Simon Crawford-Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) by Franz Schubert, Josephine Knight, Simon Crawford-Phillips having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM | ||
Schwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller) | Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Castillo Luna | D Major | 0 | 10B | 109 BPM | ||
Water Drops, JS 216 | Jean Sibelius, Janine Jansen, Klaus Mäkelä | C Major | 1 | 8B | 101 BPM | ||
Lim Fantasy of Companionship for Piano and Orchestra, Act 4: Transition to New World Order | Manu Martin, Tedd Joselson, Arthur Fagen, London Symphony Orchestra | E♭ Major | 1 | 5B | 115 BPM | ||
Light of Life | Markolyno | D Minor | 0 | 7A | 64 BPM | ||
Pick That Up, Please | Bret Williams | A Major | 2 | 11B | 155 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. for Accordion by Janne Valkeajoki): I. Les tendres plaintes | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM |