"Tableaux de Provence: II. Cansoun per ma mio" by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui was released on April 1, 2007. With Tableaux de Provence: II. Cansoun per ma mio being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claude Delangle, Lan Shui, Singapore Symphony Orchestra's "Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra" album is number 7 out of 14. On top of that, Sweden appears to be the country where this track was created. Tableaux de Provence: II. Cansoun per ma mio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tableaux de Provence: II. Cansoun per ma mio by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude No. 4 in a | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 6 | 2B | 175 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | G Minor | 2 | 6A | 160 BPM | ||
タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM | ||
組曲 プロヴァンスの風景: 2 愛しい人に寄せる歌 | Paule Maurice, Masato Kumoi, Norihisa Yamamoto, 東京ウィンド・シンフォニカ | D Major | 0 | 10B | 108 BPM | ||
Aubade, FP 51a: V. Sortie de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | A Major | 1 | 11B | 69 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVI. Toccata (Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Paquito (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | C Minor | 2 | 5A | 65 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM |