Francesco Geminiani, Nathan Milstein, Georges Pludermacher made "Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante" available on January 1, 2006. The duration of Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Violin Concertos & Encores". In this album, this song's track order is #4. Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante by Francesco Geminiani, Nathan Milstein, Georges Pludermacher having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Flute Concerto in C Minor, QV 5:38: II. Lento | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Minor | 0 | 2A | 140 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: III. Allegro | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM | ||
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM |