Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary Bertini's 'Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse)' came out on September 6, 2011. With Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 30 in Dukas: Ariane et Barbe-bleue by Paul Dukas, Gary Bertini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary Bertini is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental festival march | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | A Minor | 4 | 8A | 100 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Háry János Suite: Intermezzo | Zoltán Kodály, John Leach, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 2 | 7A | 98 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Les sirènes | Paul Dukas, Flemish Radio Choir, Brussels Philharmonic, Herve Niquet, Marie Kalinine | A♭ Major | 2 | 4B | 71 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM |