"Háry János Suite: Intermezzo" by Zoltán Kodály, John Leach, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay had its release date on January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Zoltán Kodály, Ernst Haefliger, John Leach, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Knabenchor, RIAS Madchenchor, Deutsches Symphonie-Orchester Berlin, RIAS-Symphonie-Orchester, Ferenc Fricsay's "Kodály: Háry Janos Suite Op.15" album is number 5 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Háry János Suite: Intermezzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Háry János Suite: Intermezzo by Zoltán Kodály, John Leach, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) | Iván Sztankov, Gabriel Fauré, Erika Tóth | A Minor | 0 | 8A | 82 BPM | ||
Bach, JS / Transcr. Stokowski for Orchestra: Was mir behagt, BWV 208 "Jagdkantate": No. 9, Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 3 | 10B | 127 BPM | ||
Hary Janos: Adventure 3: Napoleon Csataja (The Battle of Napoleon) | Zoltán Kodály, Sandor Sòlyom-Nagy, Klára Takács, Maria Sudlik, Balazs Poka, Katalin Meszoly, József Gregor, Sándor Palcsó, Hungarian State Opera Chorus, Hungarian Radio and Television Children's Chorus, Hungarian State Opera Orchestra, Janos Ferencsik | B♭ Major | 2 | 6B | 103 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM |