"Vespers of 1610, Magnificat (High): Sicut erat" by Claudio Monteverdi, The Sixteen, Harry Christophers was released on September 29, 2014. The duration of Vespers of 1610, Magnificat (High): Sicut erat is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Vespers of 1610, Magnificat (High): Sicut erat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 12 out of 37. Vespers of 1610, Magnificat (High): Sicut erat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610, Magnificat (High): Sicut erat by Claudio Monteverdi, The Sixteen, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Vespers of 1610: Laudate pueri | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Simon Berridge, Jeremy Budd, Ben Davies, Eamonn Dougan, Harry Christophers, The Sixteen | G Major | 1 | 9B | 72 BPM | ||
Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] | William Christie | F Major | 2 | 7B | 73 BPM | ||
Vespro Della Beata Vergine - Duo Seraphim | Jordi Savall, Claudio Monteverdi | G Minor | 2 | 6A | 76 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM |