"Concerto for Orchestra: II. Capriccio notturno e arioso" by Witold Lutosławski, NFM Orkiestra Filharmonii Wrocławskiej, Stanisław Skrowaczewski was released on March 4, 2014. Concerto for Orchestra: II. Capriccio notturno e arioso is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Stanisław Skrowaczewski's "Lutosławski: Concerto for Orchestra & Symphony No. 1" album is number 2 out of 7. On top of that, Poland appears to be the country where this track was created. Based on our statistics, Concerto for Orchestra: II. Capriccio notturno e arioso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Orchestra: II. Capriccio notturno e arioso by Witold Lutosławski, NFM Orkiestra Filharmonii Wrocławskiej, Stanisław Skrowaczewski to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento | Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu | F♯ Minor | 0 | 11A | 90 BPM | ||
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM | ||
carino es hola de un poco de ruido | mantekito loko | D Minor | 1 | 7A | 120 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Cherry Ripe | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: III. Finale | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM |