Eugène Ysaÿe, James Ehnes made "Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso" available on April 30, 2021. The duration of Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Ysaÿe : Sonatas for Solo Violin by Eugène Ysaÿe, James Ehnes. The song's track number on the album is #8 out of 15 tracks. Based on our statistics, Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso by Eugène Ysaÿe, James Ehnes has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata No. 2 in A Minor, Op. 27 No. 2: IV. "Les Furies": Allegro furioso being at 122 テンポ, the half-time would be 61 テンポ with a double-time of 244 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo) | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 5 | 5A | 116 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Augustin Hadelich | A Minor | 1 | 8A | 91 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
Pièce, Op. 189 | Mel Bonis, Juliette Hurel, Hélène Couvert | C Major | 0 | 8B | 94 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |