John Dowland, Ronn McFarlane made "The Earl of Essex, his Galliard, P. 42, "Can she excuse"" available on January 1, 1991. The duration of The Earl of Essex, his Galliard, P. 42, "Can she excuse" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Earl of Essex, his Galliard, P. 42, "Can she excuse"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 28 in Dowland, J.: Lute Music (Mcfarlane) by John Dowland, Ronn McFarlane. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Earl of Essex, his Galliard, P. 42, "Can she excuse" is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Earl of Essex, his Galliard, P. 42, "Can she excuse" by John Dowland, Ronn McFarlane is Lento (slowly), since this song has a tempo of 57 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda | Esaias Reusner, Paul Beier | D Major | 0 | 10B | 94 BPM | ||
Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM |