Orchestre des Frivolités Parisiennes, Léovanie Raud, Marion Tassou, Yoni Amar, Richard Delestre's 'Give Him the Ooh La La - Live at Théâtre du Châtelet' came out on November 11, 2022. The duration of Give Him the Ooh La La - Live at Théâtre du Châtelet is about 3 minutes long, at 3:19. Based on our data, "Give Him the Ooh La La - Live at Théâtre du Châtelet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Cole Porter in Paris (Live at Théâtre du Châtelet) by Orchestre des Frivolités Parisiennes. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Give Him the Ooh La La - Live at Théâtre du Châtelet is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Give Him the Ooh La La - Live at Théâtre du Châtelet by Orchestre des Frivolités Parisiennes, Léovanie Raud, Marion Tassou, Yoni Amar, Richard Delestre is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Le Diable à Paris, Act III: III. Sextuor "La Folie collective" - Live | Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard | F Major | 2 | 7B | 134 BPM | ||
Fairytale Suite: The Ice Palace: Finale | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 143 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
Don César de Bazan, Act II (1888 Version): Entr'acte | Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano | E Major | 2 | 12B | 127 BPM | ||
Don César de Bazan, Act II Scene 6 (1888 Version): À boire, amis | Jules Massenet, Laurent Naouri, Christian Helmer, Ensemble Aedes, Orchestre des Frivolités Parisiennes, Unknown Artist, Mathieu Romano | E Major | 2 | 12B | 127 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Les Hypermnésiques | Raphael Fimm | E Major | 2 | 12B | 115 BPM |