Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano's 'Don César de Bazan, Act II (1888 Version): Entr'acte' came out on June 12, 2020. The duration of Don César de Bazan, Act II (1888 Version): Entr'acte is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Don César de Bazan, Act II (1888 Version): Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Orchestre des Frivolités Parisiennes, Laurent Naouri, Mathieu Romano's "Massenet: Don César de Bazan (1888 Version)" album is number 7 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Don César de Bazan, Act II (1888 Version): Entr'acte's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don César de Bazan, Act II (1888 Version): Entr'acte by Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM |