Don César de Bazan, Act II (1888 Version): Entr'acte

Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano
Massenet: Don César de Bazan (1888 Version)
2:00 2020年6月12日
テンポ
127
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Don César de Bazan, Act II (1888 Version): Entr'acte - Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano 情報

音響性
95%
ダンサビリティ
42%
エネルギー
22%
手段性
0%
活気
11%
ラウドネス
72%
話し言葉
7%
価数
22%
人気
ラウドネス
-16.623 dB

まとめ

Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano's 'Don César de Bazan, Act II (1888 Version): Entr'acte' came out on June 12, 2020. The duration of Don César de Bazan, Act II (1888 Version): Entr'acte is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Don César de Bazan, Act II (1888 Version): Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Orchestre des Frivolités Parisiennes, Laurent Naouri, Mathieu Romano's "Massenet: Don César de Bazan (1888 Version)" album is number 7 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Don César de Bazan, Act II (1888 Version): Entr'acte's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Don César de Bazan, Act II (1888 Version): Entr'acte テンポ

We consider the tempo marking of Don César de Bazan, Act II (1888 Version): Entr'acte by Jules Massenet, Orchestre des Frivolités Parisiennes, Mathieu Romano to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Don César de Bazan, Act II (1888 Version): Entr'acte キー

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Serenade in B-Flat Major, K. 361 Serenade in B-Flat Major, K. 361 "Gran Partita": III. AdagioWolfgang Amadeus Mozart, Orpheus Chamber OrchestraE♭ Major05B68 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Catalan Folksong - arr. Pablo Casals (1876-1973) by Anonymous, Mischa Maisky, Pavel GililovCatalan Folksong - arr. Pablo Casals (1876-1973)Anonymous, Mischa Maisky, Pavel GililovA Minor08A89 BPM
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major by Alexander Scriabin, Mikhail PletnevScriabin: 24 Preludes, Op. 11: No. 21 in B Flat MajorAlexander Scriabin, Mikhail PletnevE♭ Major05B70 BPM
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile by Pyotr Ilyich Tchaikovsky, New Haydn QuartetString Quartet No. 1 in D Major, Op. 11: II. Andante cantabilePyotr Ilyich Tchaikovsky, New Haydn QuartetB♭ Major06B89 BPM
Adoration (Version for Solo Violin and String Orchestra) by Florence Beatrice Price, Daniel Hope, Zürcher KammerorchesterAdoration (Version for Solo Violin and String Orchestra)Florence Beatrice Price, Daniel Hope, Zürcher KammerorchesterD Major110B80 BPM
Largo from Xerxes by George Frideric Handel, Eugene Ormandy, Philadelphia OrchestraLargo from XerxesGeorge Frideric Handel, Eugene Ormandy, Philadelphia OrchestraG Major19B82 BPM
ISRC
HKI191949107
レコードレーベル
L-M Records/RCA Records