Affetti musicali, Op. 1: No. 27, La Martia

Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero
Marini: Affetti Musicali
1:17 1994年1月1日
テンポ
105
キー
D Minor
キャメロットミュージックキー
7A

リンクを埋め込む

共有

Affetti musicali, Op. 1: No. 27, La Martia - Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero 情報

音響性
96%
ダンサビリティ
50%
エネルギー
13%
手段性
98%
活気
6%
ラウドネス
70%
話し言葉
4%
価数
68%
人気
ラウドネス
-18.146 dB

まとめ

Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero made "Affetti musicali, Op. 1: No. 27, La Martia" available on January 1, 1994. With Affetti musicali, Op. 1: No. 27, La Martia being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Biagio Marini, Massimo Lonardi, Conserto Vago's "Marini: Affetti Musicali" album is number 27 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Affetti musicali, Op. 1: No. 27, La Martia is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Affetti musicali, Op. 1: No. 27, La Martia テンポ

We consider the tempo marking of Affetti musicali, Op. 1: No. 27, La Martia by Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Affetti musicali, Op. 1: No. 27, La Martia キー

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Purcell: The Fairy Queen, Z. 629: Overture by Henry Purcell, Amsterdam Baroque Orchestra, Ton KoopmanPurcell: The Fairy Queen, Z. 629: OvertureHenry Purcell, Amsterdam Baroque Orchestra, Ton KoopmanB Minor010A78 BPM
Violin Sonata No. 1 in A Major, C. 138: IV. — by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar LetzborViolin Sonata No. 1 in A Major, C. 138: IV. —Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar LetzborA♭ Major14B66 BPM
Recorder Concerto in F Major, Op. 4/5, HWV 293: IV. Presto by George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville MarrinerRecorder Concerto in F Major, Op. 4/5, HWV 293: IV. PrestoGeorge Frideric Handel, Bernard Krainis, The London Strings, Sir Neville MarrinerG Major29B107 BPM
Sonata Accademica IX, Op.2: Un poco andante et affettuoso by Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio SuárezSonata Accademica IX, Op.2: Un poco andante et affettuosoFrancesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio SuárezF♯ Minor311A88 BPM
Violin Concerto in A Major, Op. 3, No. 8: II. Largo by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L'Violin Concerto in A Major, Op. 3, No. 8: II. LargoCarlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L'C Major18B176 BPM
Concerto for Viola d'amore & Lute in D Minor, RV 540: III. Allegro by Antonio Vivaldi, Massimo Lonardi, Conserto Vago, Ernest BraucherConcerto for Viola d'amore & Lute in D Minor, RV 540: III. AllegroAntonio Vivaldi, Massimo Lonardi, Conserto Vago, Ernest BraucherF♯ Major22B106 BPM
Concerto grosso No. 4 in F Major: III. Vivace by Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg KallweitConcerto grosso No. 4 in F Major: III. VivaceGiovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg KallweitB♭ Minor03A90 BPM
Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach CollegiumSei Introduttioni teatrali, Op. 4, No. 2: I. AllegroPietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach CollegiumE Major112B80 BPM
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean RondeauSonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. AriaJean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean RondeauA♭ Major14B105 BPM
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) by Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean RondeauViolin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute)Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean RondeauA♭ Major14B105 BPM
ISRC
ITE011801677
レコードレーベル
L-M Records/RCA Records