Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero made "Affetti musicali, Op. 1: No. 27, La Martia" available on January 1, 1994. With Affetti musicali, Op. 1: No. 27, La Martia being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Biagio Marini, Massimo Lonardi, Conserto Vago's "Marini: Affetti Musicali" album is number 27 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Affetti musicali, Op. 1: No. 27, La Martia is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Affetti musicali, Op. 1: No. 27, La Martia by Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: IV. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Recorder Concerto in F Major, Op. 4/5, HWV 293: IV. Presto | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | C Major | 1 | 8B | 176 BPM | ||
Concerto for Viola d'amore & Lute in D Minor, RV 540: III. Allegro | Antonio Vivaldi, Massimo Lonardi, Conserto Vago, Ernest Braucher | F♯ Major | 2 | 2B | 106 BPM | ||
Concerto grosso No. 4 in F Major: III. Vivace | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 0 | 3A | 90 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |