Paolo Pellegrini made "Sei Proprio Te" available on April 8, 2009. With this song being about 5 minutes long, at 4:40, "Sei Proprio Te" by Paolo Pellegrini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 14 in Bevendo La Vita by Paolo Pellegrini. The popularity of Sei Proprio Te is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sei Proprio Te by Paolo Pellegrini is Vivace (lively and fast), since this song has a tempo of 176 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
La notte di un nevrastenico, dramma buffo in un atto: Scena VI, Scena VII, Scena VIII | Nino Rota, Orchestra Sinfonica Calabrese di Denise Fedeli, Paolo Pellegrini, Nicola Ulivieri, Coro Solisti cantori di Emanuela Di Pietro | G Major | 6 | 9B | 118 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Le Comte Ory / Act 1: "O bon ermite" | Gioachino Rossini, Stefania Bonfadelli, Juan Diego Flórez, Marie-Ange Todorovitch, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Dante, Acte IV: No. 32, Scène "C’est moi que l’on appelle" | Benjamin Godard, Véronique Gens, Rachel Frenkel, Munich Radio Orchestra, Ulf Schirmer | G Major | 1 | 9B | 81 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Las Golondrinas, I parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM |