Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 90:1 "Gij zijt, o HEER, van d' allervroegste jaren"' came out on 2016. With Psalm 90:1 "Gij zijt, o HEER, van d' allervroegste jaren" being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Psalm 90:1 "Gij zijt, o HEER, van d' allervroegste jaren" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 90:1 "Gij zijt, o HEER, van d' allervroegste jaren" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Sommerfugledalen: II. I Brajčinodalens middagshede luft | Phillip Faber, DR PigeKoret, Kirstine Futtrup, Idinna Lutzhøft, Eva Katrine Dalsgaard, Mihai Fagarasan, Unknown Artist | C Major | 1 | 8B | 113 BPM | ||
Spring: Pange Lingua – Renewal | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | E Major | 0 | 12B | 89 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Zegenbede | Diverse Artiestem | A♭ Major | 2 | 4B | 74 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | C Minor | 0 | 5A | 95 BPM | ||
Hishia Der: Be Mindful, O Lord | Paros Chamber Choir, Raffi Mikaelian | F♯ Minor | 0 | 11A | 62 BPM | ||
Corpus Christi | Gregorian Chants, Cantori Gregoriani | B Major | 1 | 1B | 75 BPM | ||
The Star-Spangled Banner | John Stafford Smith, The All-American Boys Chorus | B♭ Major | 1 | 6B | 132 BPM | ||
Find in Me Your Rest | Brent Wells, BYU Concert Choir | D Major | 1 | 10B | 129 BPM |