"Seven Balkan Dances: I. Con moto" by Marko Tajcevic, Eduard Wesly, Ivar Berix, Raaf Hekkema, Jelte Althuis, Alban Wesly was released on January 1, 2001. With Seven Balkan Dances: I. Con moto being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 600 Years, so we believe that "Seven Balkan Dances: I. Con moto" is a single. Based on our statistics, Seven Balkan Dances: I. Con moto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Balkan Dances: I. Con moto by Marko Tajcevic, Eduard Wesly, Ivar Berix, Raaf Hekkema, Jelte Althuis, Alban Wesly is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Want to Walk as a Child of the Light | Dan Forrest, Erik Dewar, Beckenhorst Singers, Craig Courtney | D♭ Major | 2 | 3B | 83 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): III. Credo | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | F Major | 0 | 7B | 82 BPM | ||
A Mighty Fortress Is Our God | J. Ryan Garber | C Major | 0 | 8B | 79 BPM | ||
Romanzen, Book 2, Op. 91: No. 4. Das verlassene Magdlein | Robert Schumann, Aquarius, Marc Michael de Smet | F Major | 0 | 7B | 138 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Sua tervehdin (I salute thee) | G.A. Hartel, YL Male Voice Choir, Matti Hyokki | E♭ Major | 0 | 5B | 82 BPM |