George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon's 'Israel in Egypt, HWV 54: Symphony' came out on May 27, 2008. The duration of Israel in Egypt, HWV 54: Symphony is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Israel in Egypt, HWV 54: Symphony's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Aradia Ensemble, Kevin Mallon's "Handel: Israel in Egypt" album is number 1 out of 49. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Israel in Egypt, HWV 54: Symphony is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Israel in Egypt, HWV 54: Symphony by George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
12 Concerti et sinphonie, Op. 1: Symphony No. 5 in F Major: II. Adagio | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | E Major | 1 | 12B | 96 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada - Grave | Georg Philipp Telemann, The English Concert, Trevor Pinnock | B♭ Major | 0 | 6B | 63 BPM | ||
Concerto Grosso No. 4 in G Minor, "Dulce somnium": V. Borea. Alla breve un poco grave | Georg Muffat, Holland Baroque Society, Matthew Halls | F♯ Minor | 3 | 11A | 104 BPM | ||
Concerto grosso in D minor, Op. 3, No. 5: 4. Allegro, ma non troppo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Sonata a tre in re maggiore: II. Adagio | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 0 | 3B | 102 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ayres for the Violin, Book 1 (Excerpts): Adagio | Nicola Matteis, Veronika Skuplik, Andreas Arend | A♭ Minor | 2 | 1A | 78 BPM |