Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker's 'Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"' came out on January 5, 2005. The duration of Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Based on our statistics, Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 3 in F Minor, WAB 28: Benedictus | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | A♭ Major | 1 | 4B | 132 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Capriccio Espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 135 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Confutatis - Live | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir, Kay Johannsen | F Major | 0 | 7B | 70 BPM | ||
5 Lieder, Op. 105: No. 1. Wie Melodien zieht es mir | Johannes Brahms, Diana Damrau, Helmut Deutsch | B♭ Major | 2 | 6B | 96 BPM | ||
Requiem in D Minor, K. 626: 5. Sanctus - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Major | 4 | 10B | 90 BPM | ||
Stabat Mater, Op. 53: VI. Chrystus niech mi bedzie grodem (Soprano, Alto, Baritone, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Pamela Helen Stephen, Gábor Bretz, BBC Symphony Chorus | D♭ Major | 0 | 3B | 72 BPM | ||
Eljen a Magyar, Op.332 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 142 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 71 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |