"Piano Concerto No. 1 in D Minor: II. Adagio" by Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre Avignon-Provence was released on March 8, 2024. Since Piano Concerto No. 1 in D Minor: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Marie Jaëll: Piano Concerto No. 1 in D Minor: II. Adagio and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Piano Concerto No. 1 in D Minor: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 1 in D Minor: II. Adagio by Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre Avignon-Provence to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album, Op. 39, TH 141: No. 22, Lark Song | Pyotr Ilyich Tchaikovsky, Dina Kazachanskaya | G Major | 0 | 9B | 117 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Vier Lieder für das Pianoforte, op. 2 - No 1 Andante | Fanny Mendelssohn, Martin Malto | D Major | 1 | 10B | 144 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig | Robert Schumann, George Li | F♯ Minor | 0 | 11A | 92 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Valses oubliées, No. 2, S. 215 | Franz Liszt, Nelson Goerner | D♭ Major | 1 | 3B | 120 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Valses nobles et sentimentales, M. 61: III. Modéré | Maurice Ravel, Angela Hewitt | D♭ Major | 0 | 3B | 65 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM |