Giovanni Girolamo Kapsberger, Massimo Lonardi, Tiziano Bagnati made "Kapsberger: Canario" available on February 2, 1994. With Kapsberger: Canario being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Massimo Lonardi & Tiziano Bagnati's "Musiche del '600 italiano per Chitarra e Tiorba" album is number 9 out of 24. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Kapsberger: Canario is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kapsberger: Canario by Giovanni Girolamo Kapsberger, Massimo Lonardi, Tiziano Bagnati to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in E Minor: VI. Menuet | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 132 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Concert XLVIII: Le Raporté | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | F Minor | 1 | 4A | 78 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Suite in G Minor, BWV 995: I. Prélude | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Allemande | François Dufaut, Bertrand de Bacilly, Ensemble A Deux Violes Esgales | A Major | 0 | 11B | 109 BPM |