"Orgelbüchlein: Nun komm’ der Heiden Heiland, BWV 599 (Arr. For Piano Four Hands by György Kurtág)" by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen was released on September 27, 2019. With Orgelbüchlein: Nun komm’ der Heiden Heiland, BWV 599 (Arr. For Piano Four Hands by György Kurtág) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 12 in Bach by Camille Saint-Saëns, Howard Griffiths, John Field, Elizabeth Joy Roe, Johann Sebastian Bach, Isabelle Perrin, Shigenori Kudo, Edvard Grieg, Alice Sara Ott, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen, Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson. Based on our statistics, Orgelbüchlein: Nun komm’ der Heiden Heiland, BWV 599 (Arr. For Piano Four Hands by György Kurtág)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orgelbüchlein: Nun komm’ der Heiden Heiland, BWV 599 (Arr. For Piano Four Hands by György Kurtág) by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Jesu bleibet meine Freude, BWV 147, No. 10 (Arr. for Two Pianos by Victor Babin) | Johann Sebastian Bach, Tal & Groethuysen | C Major | 1 | 8B | 97 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Concerto For 2 Pianos And Orchestra (No.10) In E Flat, K.365: 2. Andante | Wolfgang Amadeus Mozart, Lucas Jussen, Arthur Jussen, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 89 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Herr Jesu Christ, Meins Lebens Licht, Chorale Setting For 4 Voices, Bwv 335 (Bc F170): Herr Jesu Christ, Mein's Lebens Licht, Bwv 335 (Arr. By Chad Lawson For Piano) | Chad Lawson | B Minor | 0 | 10A | 134 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM |