"Tosca / Act 3: "Franchigia a Floria Tosca"" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno was released on January 1, 1978. The duration of Tosca / Act 3: "Franchigia a Floria Tosca" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Tosca / Act 3: "Franchigia a Floria Tosca"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #16. Tosca / Act 3: "Franchigia a Floria Tosca" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 3: "Franchigia a Floria Tosca" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Pagliacci / Act 1: "Son qua! Ritornano" | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti | E♭ Major | 4 | 5B | 122 BPM | ||
Volare | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | E Minor | 2 | 9A | 97 BPM | ||
L'Africaine / Act 4: Mi batte il cor...O Paradiso - Live | Giacomo Meyerbeer, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | F♯ Major | 2 | 2B | 80 BPM | ||
La Bohème / Act 2: Chi guardi? - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Kevin Connors, Stéphane Degout, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy, Bavarian Radio Chorus, Kinderchor des Stadttheaters am Gärtnerplatz | B Minor | 2 | 10A | 127 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Un ballo in maschera / Act 3: "Forse la soglia attinse" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 90 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM |