"Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine was released on January 1, 1988. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: Or dove fuggo mai?..Ah! per sempre io ti perdei | Vincenzo Bellini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | A♭ Major | 1 | 4B | 73 BPM | ||
Lady Macbeth of Mtsensk District / Act 1: Akh, ne spítsya ból'se, popróbuyu | Dmitri Shostakovich, Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 86 BPM | ||
Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 69 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM |