"Variations on a Theme by Robert Schumann, Op. 20: Var. VI" by Clara Schumann, Benjamin Grosvenor was released on March 17, 2023. With Variations on a Theme by Robert Schumann, Op. 20: Var. VI being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Schumann & Brahms". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations on a Theme by Robert Schumann, Op. 20: Var. VI is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations on a Theme by Robert Schumann, Op. 20: Var. VI by Clara Schumann, Benjamin Grosvenor having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 70 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. III | Clara Schumann, Benjamin Grosvenor | F Major | 1 | 7B | 138 BPM | ||
Six Epigraphes antiques: VI. Pour remercier la pluie au matin | Claude Debussy, Alain Planès | A♭ Minor | 0 | 1A | 63 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | E Major | 0 | 12B | 61 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 69 BPM | ||
Sonntagslied, S. 547/2 in A Major | Felix Mendelssohn, Philippe Cassard | E Major | 0 | 12B | 175 BPM |