"Sonntagslied, S. 547/2 in A Major" by Felix Mendelssohn, Philippe Cassard was released on September 22, 2017. The duration of Sonntagslied, S. 547/2 in A Major is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Sonntagslied, S. 547/2 in A Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Philippe Cassard's "Mendelssohn" album is number 5 out of 16. The popularity of Sonntagslied, S. 547/2 in A Major is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonntagslied, S. 547/2 in A Major by Felix Mendelssohn, Philippe Cassard to be Vivace (lively and fast) because the track has a tempo of 175 テンポ, a half-time of 88テンポ, and a double-time of 350 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Lieder von Franz Schubert, S.558, No. 2: "Auf dem Wasser zu singen" | Franz Schubert, Philippe Cassard | A♭ Minor | 1 | 1A | 89 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182 | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | B Minor | 1 | 10A | 82 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |