"Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe"" by Conradin Kreutzer, Erika Köth, Fritz Wunderlich, Hermann Prey, Kurt Eichhorn, Munich Radio Orchestra was released on January 1, 1991. Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 12 out of 94 in Fritz Wunderlich sings by Fritz Wunderlich. The popularity of Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" by Conradin Kreutzer, Erika Köth, Fritz Wunderlich, Hermann Prey, Kurt Eichhorn, Munich Radio Orchestra is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Deutsche Messe, D. 872: No. 3, Zum Evangelium und Credo | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Messiah, HWV 56: No. 44, Hallelujah - Arr. for French Horn | George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists | C Major | 2 | 8B | 114 BPM | ||
Elias, Op. 70: Teil I: Herr höre unser Gebet | Felix Mendelssohn, Thomas Hengelbrock | B♭ Minor | 0 | 3A | 71 BPM | ||
Veni sancte spiritus, K. 47 : Allegro | Capella Brugensis, Patrick Peire, Collegium Instrumentale Brugense | C Major | 1 | 8B | 125 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Romanzen, Book 2, Op. 91: No. 4. Das verlassene Magdlein | Robert Schumann, Aquarius, Marc Michael de Smet | F Major | 0 | 7B | 138 BPM | ||
Te Deum, K. 141 | Wolfgang Amadeus Mozart, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | C Major | 2 | 8B | 121 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM |