Felix Mendelssohn, Thomas Hengelbrock made "Elias, Op. 70: Teil I: Herr höre unser Gebet" available on November 18, 2016. With Elias, Op. 70: Teil I: Herr höre unser Gebet being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Thomas Hengelbrock's "Mendelssohn: Elias, Op. 70" album is number 5 out of 48. On top of that, Germany appears to be the country where this track was created. Elias, Op. 70: Teil I: Herr höre unser Gebet is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Elias, Op. 70: Teil I: Herr höre unser Gebet by Felix Mendelssohn, Thomas Hengelbrock to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Sanctus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
26 Welsh Songs, WoO 155: No. 8, Farewell, Thou Noisy Town | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 3 | 10B | 47 BPM | ||
Schubert: Mass in G Major, D. 167: Gloria | Franz Schubert, Lucia Popp, Adolf Dallapozza, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (g) Allegro ma non tanto. "Freude, Tochter aus Elysium!" - | Ludwig van Beethoven, Margaret Price, Marjana Lipovsek, Peter Seiffert, Jan-Hendrik Rootering, Chor Des Städtischen Musikvereins E. V. Düsseldorf, Wolfgang Sawallisch, Royal Concertgebouw Orchestra, Chor des Städtischen Musikvereins zu Düsseldorf | A Major | 1 | 11B | 75 BPM | ||
Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Selige Stunde, Op. 10, No. 2 | Alexander von Zemlinsky, Jonas Kaufmann, Helmut Deutsch | F♯ Major | 0 | 2B | 99 BPM | ||
Lauda Sion, Op. 73: I. Lauda Sion Salvatorem | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | A Major | 1 | 11B | 135 BPM |